Forget the lawnmower and pruners, any serious tog should be tooling up with their cameras and macro lenses when venturing into their back gardens.
It's a time to celebrate the return of vibrant colour to the world.
But keep in mind that flowers may look just as interesting when lit from the side or behind, than by full frontal light (sun or flash).
Maybe you want to concentrate on form, shape and pattern - black and white is perfect for this, as colour is a significant distraction in most images.
The foliage here (above and below) acts as a natural 'gobo'; that is, it partially blocks the light creating a delicate pattern of shadowing across the petals.
Partial desaturation can create a moodier look for your floral photography. Colour is hinted at, but doesn't dominate the image. A simple slide to the left on the saturation slider in Photoshop achieves this.
Getting in real close with a macro lens on your SLR (or lenses on compacts and bridging cameras) can offer a dramatically different perspective on a subject. A tripod (or other support) will be necessary to avoid motion blur caused by camera shake or even the gentlest breeze. Movement is more noticeable the closer you get to your subject.
Open up that aperture for a truly abstract view of the world.
Finally, a confression. None of these images were shot in my garden - or even outside. The subject was a vase of flowers on my kitchen window sill. Crop and angle hides many sins!
Showing posts with label patterns. Show all posts
Showing posts with label patterns. Show all posts
Wednesday, 5 March 2014
Thursday, 2 January 2014
Household Objects - Art On A Shoestring
Last time out I was looking at holiday photos, so to kick off the New Year (a time when credit cards are traditionally maxed out) I thought I'd feature some ideas that cost nothing.
Everyday household objects can be fun subjects for creativity - especially on days like today (I'm looking out of a rain-spattered window as I type this). Turning ostensibly banal objects into abstract art is a good exercise in creativity; ask yourself, "how can I present this item in a new and interesting way?"
It can also be done on a budget. For these images I put a 60mm macro lens on my tripod-mounted SLR, and used natural light. If you don't have an SLR and macro lens, a compact camera will probably let you get just as close. A couple of the images also involved a laptop screen, and some minimal Photoshop editing was done - but nothing that could not be achieved in open source / free software or even the software packaged with your camera.
In the first two images a set of drinking straws were bundled together and secured with an elastic band. Each bundle was rested on its side in front of a white background, and shot in (frontal) natural light. Photoshop editing was required to remove the surface on which the straws rested; this could be avoided by balancing your straw bundle on top of the white surface and shooting down on it (a technique employed for the final two images in this set).
I spot metered the dark surface of the straws so the white background would over-expose and the black straws would render mid to dark grey. Small changes in camera position and angle dictated which straws allowed (reflected) light through from the background.
For the next image I simply moved the camera much closer and dialled in an 'incorrect' white balance setting on my camera. Setting the white balance to 'tungsten bulb' rendered the diffuse natural daylight blue. This shift could also be accomplished easily in Photoshop's RAW Processor if you shoot RAW.
The last two images were shot looking down over a horizontal laptop screen (be VERY careful what you put onto your screen - it can be easily damaged!)
A background image was displayed such that it covered most of the laptop screen, and the camera postioned so the image filled the frame. The straws were cut to half their original length to help them stand up and to allow more light through.
Something to look out for with macro images are stray hairs, fluff, dust and so on. What may be barely noticeable to the naked eye can be enfuriatingly apparent in a macro photograph. I left a largish hair in the image above because I decided it looked interesting, but removed it from the image below using Photoshop's clone stamp and patch tool.
Remember, you don't have to copy these ideas - what items are laying around in your kitchen, bathroom, garage etc that might form the basis for interesting abstracts?
Everyday household objects can be fun subjects for creativity - especially on days like today (I'm looking out of a rain-spattered window as I type this). Turning ostensibly banal objects into abstract art is a good exercise in creativity; ask yourself, "how can I present this item in a new and interesting way?"
It can also be done on a budget. For these images I put a 60mm macro lens on my tripod-mounted SLR, and used natural light. If you don't have an SLR and macro lens, a compact camera will probably let you get just as close. A couple of the images also involved a laptop screen, and some minimal Photoshop editing was done - but nothing that could not be achieved in open source / free software or even the software packaged with your camera.
In the first two images a set of drinking straws were bundled together and secured with an elastic band. Each bundle was rested on its side in front of a white background, and shot in (frontal) natural light. Photoshop editing was required to remove the surface on which the straws rested; this could be avoided by balancing your straw bundle on top of the white surface and shooting down on it (a technique employed for the final two images in this set).
I spot metered the dark surface of the straws so the white background would over-expose and the black straws would render mid to dark grey. Small changes in camera position and angle dictated which straws allowed (reflected) light through from the background.
For the next image I simply moved the camera much closer and dialled in an 'incorrect' white balance setting on my camera. Setting the white balance to 'tungsten bulb' rendered the diffuse natural daylight blue. This shift could also be accomplished easily in Photoshop's RAW Processor if you shoot RAW.
The last two images were shot looking down over a horizontal laptop screen (be VERY careful what you put onto your screen - it can be easily damaged!)
A background image was displayed such that it covered most of the laptop screen, and the camera postioned so the image filled the frame. The straws were cut to half their original length to help them stand up and to allow more light through.
Something to look out for with macro images are stray hairs, fluff, dust and so on. What may be barely noticeable to the naked eye can be enfuriatingly apparent in a macro photograph. I left a largish hair in the image above because I decided it looked interesting, but removed it from the image below using Photoshop's clone stamp and patch tool.
Remember, you don't have to copy these ideas - what items are laying around in your kitchen, bathroom, garage etc that might form the basis for interesting abstracts?
Labels:
abstract,
budget,
circles,
drinking straws,
household,
inexpensive art,
patterns,
space,
still life,
straws
Tuesday, 29 January 2013
Blinded
When we took down the curtains and replaced them with blinds the motivation was entirely one of interior design.
I was not in the least bit intrigued by the background and lighting possibilities they might present.
I was not in the least bit intrigued by the background and lighting possibilities they might present.
That's my story, and I'm sticking to it.
Question is, can you recognise the source text? Answers on a postcard....
Labels:
abstract,
blinds,
close-up,
light bulb,
page,
patterns,
selective focus,
stripes,
words,
words jumping of the page
Thursday, 22 November 2012
Bubblescapes
A few more oil and water fantasias to enjoy, with the occasional splash of food dye for good measure.
Labels:
abstract,
food dye,
oil,
oil and water,
oil painting,
patterns
Wednesday, 31 October 2012
Dark Waters
Labels:
abstract,
blood,
bubbles,
dark waters,
dye and water,
eldritch,
food dye,
oil,
oil and water,
oil painting,
patterns
Wednesday, 24 October 2012
Knocking on Heaven's Door
The title has nothing to do with the images in this post - just happens to be the song I'm listening to whilst posting (SoM version).
Some more oil, water and dye.
Labels:
abstract,
bubbles,
food dye,
oil and water,
patterns,
studio photography
Friday, 19 October 2012
Eye Candy
Another update from the studio experiments with oil and food dye in water. This time, just dyes (red and pink) and water for the most part, the oil only making an appearance in one image.
Labels:
abstract,
dye and water,
eye candy,
food dye,
patterns,
pink,
pink and red,
red,
swirls
Saturday, 13 October 2012
Monday, 8 October 2012
Low in the Sky
Autumn is my favourite season for capturing aspects of the Essex and Suffolk landscape - not simply because of the colours, but also the quality of the light from a sun that is lower in the sky for much of the day.
The following images are from he most recent Wivenhoe Photography Group trip, to Highwoods Country Park last Saturday morning. It turned out that the sun was not the only celestial body lounging low in the heavens.
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