Alice

Alice gazed through the looking glass and saw something real but not real. One of my passions is for imagery that exists somewhere between reality and fantasy - imagery that is both purposeful, yet not too prescriptive - imagery that leaves room for your imagination to work....

The Boat That Rocked

A second set from Harwich, and a return to experiments with blur.
This time the camera was firmly held on a tripod, and the subject was moving. A narrow apperture and ND filters assisted the long-ish exposures.

Aladdin

First of two mini-updates from the recent Wivenhoe Photography Group jaunt to Harwich.
A just in case anyone still thinks the camera never lies, these were all shot during the day, under a slightly overcast sky.

Educating Rita (and Sue and Bob Too)

A new one-day Photoshop Fast-track for Digital Photographers workshop will be running in Wivenhoe from May 2010.

What's in it: professional image editing techniques, including curves, b&w conversion, Lab Colour, airbrushing, dodging and burning and preparing images for output
When is it: 11-4.30 (including 1 hr lunch break) on the following Saturdays: 22nd May, 19th June, 24th July
where is it: the Nottage Maritime Institute, Wivenhoe Quay

Get in touch for more details.

Under The Sand

An eclectic Jaywick taster.

Over The Hill: Three Faces of.... Tim

I had to (kind of) break with my usual thread naming convention for this update, as the shoot presented here is part of a project by Tim Andrews. Here's Tim in his own words:

OVER THE HILL

“Alright boys, this is it, over the hill” is the intro of the song “Bring on Lucie” by John Lennon and, although the phrase ‘over the hill’ has somewhat negative connotations, it is announced on the record in a very positive way by Lennon who goes on to sing ‘Do it, do it, do it, do it now!’ and so, for me, the title of this exhibition is optimistic despite the double meaning.

In May 2007, I answered an advertisement in Time Out from Graeme Montgomery, whom I know now to be an extremely talented professional photographer. He was compiling a book of nudes and wanted to photograph the first 100 people to answer the advert so I thought ‘why not?’ and went along and found that I was number one! Strangely enough, two other photographers advertised in the following two issues of Time Out, this time for people to pose for portraits, and they both photographed me subsequently. That was that for a while until, in February 2008, I answered an advert in our local newspaper from a student, Daisy Lang, who wanted to photograph people with illnesses for her final year’s project. Subsequently, I discovered that there were many photographers advertising on the Internet for models for particular projects. I wrote an email to the first photographer explaining that I was 57 and had Parkinson’s Disease and that ‘I wanted to continue on my path of being photographed by different people during the course of my illness’. Suddenly, as I wrote those words, I realised that I had my own project.

Since then, over seventy different photographers have photographed me and it has been incredibly interesting and exciting as I have seen the project develop day by day. I have met many wonderful, skilful people many of whom, normally, I would never have met let alone spent several hours with them.

It has been a fascinating journey. I have always loved photography but never had the patience or skill to practice it successfully. However, being a model has enabled me to collaborate with brilliant practitioners of the art and to be part of the artistic photographic process.

I had not discussed the proposed title of the exhibition with anyone until I met Roberto Foddai to talk about his ideas for our shoot. He produced two pieces of headgear he wanted me to wear and said that one of them had some wording on it which he felt was somewhat ironic. He turned it over and on the front were the words – ‘Over the Hill’.

Free the people, now.
Do it, do it, do it, do it now.

Tim Andrews

I did three short sets with Tim.

First up are images of Tim staring out at the denuded branches of trees in winter.

Next are a couple of simple portraits. I used mixed lighting for these - flash and modelling lights with an exposure of about 5 seconds.

Lastly there are 3 images inspired by the artwork for the BBC serialisation of Gormenghast. I wanted to do a fun fantasy set, and referencing Mervyn Peake seemed appropriate for reasons that will be obvious to anyone familiar with that great writer.

1984

Yes, it's fast approaching!
Waddaya mean, it's been and gone - Big Brother is alive and well, thank you, and this is what he's been up to recently: BIG BRO

Not only do photographers not deserve to earn money or credit from their creations, they shouldn't really be allowed out in public at all!

If you want to do something about the Digital Economy Bill (NB not the public photography issue): PETITION